Page 143 - ibdaa

Ÿ-b<¡~9¡EH Ÿ-bJxƒF ˆ*]+°( * 142

‡+*xD* –~|ŒD*

‡+x˜D*

ˆ*]+°( *H f˜JxmD*

Crime and Creativity

¦†c+ ™žgF*2(* ]†+ ™ž›’~6 b’E x££‰- ¢•< *Hxc/*& H*& ¡m~zD* ¤A ™ž-b£0 œE *$K y/ œ£<]c˜D* x£Gb~{E œE 2]< ¢~¦B
4H*x+ œ< Žx~|g+ ™)*xmD*

jglU ™H+

]•J*H 4b’~6H&* Oscar Wild ¡ŒJ2 –££F*2 Daniel Defoe

–£Œ•£E bEx£G Herman Melville bž£+ *]Fx+ Brendan Behan

]£C 6bE¡- Thomas Kyd œJH]D¡+ z˜£/ James Baldwin

šbg~z•J]FbE Mandelstam z£gFbAx£~6 Cervantes

h£EbG –£~7*2 Dashiell Hammett –~6*4 ]F*x-x£+ Bertrand Russell

¡~zF¡/ œ£Ebm›+ Benjamin Jonson ]FÉ£•C ¡/ John Clelland

¤’~zŒJ¡g~6H2 4H2¡£A Fyodor Dostoyevsky x£gD¡A 5*¡~zF*xA Fransoise Voltaire

]Jb~6 ¥2 z£C4bE Marquis de Sade b£Fb+ ¡/ John Bunyon

H4¡- ]£A*2 ¥x›G Henry David Thoreau 4¡E 6bE¡- Thomas More

]FHb+ *45(* Ezra pound H2 ¡/ John Donne

6ÉJ2 bA¡£•E Milovan Djilas ¤C4¡= ™£~zCbE Maxim Gorky

œ£g~{›£‰gJH Wittgenstein –AbG Havel

œ£D5bA —¡+ Paul Verlaine xŒ£•C o4]•J* Eldridge Cleaver

ibJH 6bE¡- Thomas Wyatt x•g~6¡C x.4*% Arthur Koestler

¤~z›J¡C ¥2 De Quincey œG2H*x+ Ž5¡/ x££+ Pierre Joseph Proudhon

¡’£+ œŒ£g~6 Stephen Biko œJ4b1¡+ Bukharin

¤•~6¡E ]DH5H&* Oswald Mosley zG xmD%* Alger Hiss

b-b£›£C Kenyatta 4b˜F*xC 6bE¡- Thomas Cranmer

Ÿ£D*4 xgDHH Walter Raleigh ¡D¡+ ¡C4bE Marco Polo

h›˜~z£C x/H4 Roger Casement

¤¨«–« 7¨ŸH+L ¤¨Ig 7}H+

–££~{g~6 ¡‰J(* Egon Schiele x££EH2 ¥4¡F¡G Honoré Daumier

y~6Hx= o4¡/ George Grosz h+4¡C Žbg~6¡= Gustav Courbet

hc- –’JbE Michael Tippet œJ¡=¡= —¡+ Paul Gauguin