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37 Ÿ-b<¡~9¡EH Ÿ-bJxƒF   ˆ*]+(°*
   —H&°* –~|ŒD*

                                  ‡+x˜D*

                           ¤Ax†˜D* e¡•~6&°*

                                            Cognitive Style

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                                            f£˜C bBK HxA h~z£DH f£<¡F ‘HxA ¤G  2*xA&°* œ£+ ‘HxŒD* &* ¢D(* ,xƒ›D*

                  f£<*]+(°* fAx†˜D*H fJ4¡†~7ÉD* ib£•˜†D*

                 UNCONSCIOUS PROCESSES AND CREATIVE COGNITION

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i*4b~|cg~6°* *&  Koestler, 1964  "x•g~6¡C" ]g<* b˜C  (a magic synthesis) ¥xp~zD* d£CxgD* q•€~|˜+ ¤<*]+(°*
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šb£•D f£=bE]D* ,x’D* ¤Œ~|F ¢D(* b›-b/b0 x£~zŒgD fJxƒ›D*  wG ɘ†g~6*  Hoppe & Kyle, 1990  "–JbC" H " e¡G " &*
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                                                     Suler, 1980  b~¦K J*& xƒF*&   4¡†~7ÉD* œE ¤)*x/(*

                            4¡†~7ÉD* ,x’A

                                   The Idea of the Unconscious
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                                                                                    Whyte,1983
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